Occasionally Cafe Press, home of Otter Disaster Designs, partners with certain media outlets to create fan portals allowing Cafe Press Shop owners to create designs based on existing media properties. Imagine my surprise when I discovered that a fan portal had been opened featuring the much beloved Schoolhouse Rock!
I put together this design based on my all time favorite School House Rock! song, No More Kings:
Yesterday at comics guru Scott McCloud's website he posted a link to this video at Pixton.com, and asked creators their opinion. A pretty interesting debate ensued in the comments thread, from haters, lovers, and the indifferent alike. Bitstrips developer BA (you'll notice in the link to his profile that he is user 3!) jumped in to defend Pixton and Bitstrips as simply another tool with which to enjoy comics. I threw in a few opinions as well as Bitstrips super-user and all-around nice guy BoomMike.
One commenter left this response to BA and mentions lo-fi web sensation XKCD:
BA: “accessible to everyone, rather than an elite few with the rare combination of talent and patience”
Yes, the elite world of webcomics, where there are absolutely no barriers of entry. Give me a break. Have you ever heard of XKCD? It has stick figures and gets like 40 million hits a month. That’s because he is a funny writer and knows his audience. I’m sure you know that, but the whole “access” angle is part of the sales pitch for your website.
If Pixton 2.0 allows people to scan in their own drawings and work with those, that might be something worth noting. This is just lame.
Here is my response:
Jesse, isn’t XKCD exactly the point? That it doesn’t necessarily matter what tools you use if the ideas, writing, and execution are solid, and you communicate effectively?
Bitstrips and Pixton are as capable of conveying a message in comics form as XKCD. It’s the user of the tools and the message created with them, not the tools themselves. If there were 10,000 stick figure strips out there (and there may be) would that diminish XKCD? I could also mention Get Your War On and Dinosaur Comics as strips with a simplified artistic approach that communicate really well.
As BA mentioned there is a high signal to noise ration on these sites, but that is largely because they serve as a clearing house offering both a creative platform and storage/hosting for the strips. Maybe not everyone wants to get a blog or develop their own site and deal with hosting/coding/etc. These sites/services do lower that particular barrier to entry.
There are are probably more bad webcomics out there than good ones created using ‘traditional’ methods, but that is no reason to question the tools used to make them.
I’ve read some really good stuff at Bitstrips (among a lot of bad stuff), and there are some extremely creative and clever creators there. I’ve watched people start simply, and become more sophisticated in their approach to their strips in both the writing and the art. I hope I’ve made some enjoyable stuff there myself., and as I mentioned I’ve learned a lot about comics from making them that I wouldn’t have learned simply by reading them.
I’ve also seen a large sector of the user base push the tools in directions I’m not sure they were initially intended and I’ve witnessed the developers respond to the needs and desires of those users. Bitstrips continues to improve, and I hope there will come a day when I can use my own custom art as part of the experience.
I work to make my characters and scenes as distinct as possible to put my own stamp on them (a constant challenge for me). And believe it or not, there are certain creators who have a ’style’ and I can often pick them out of the crowd, even with the homogenized ‘house style’ that Bitstrips currently offers. BoomMike, who commented above is one of them. These sites are really in their infancy at this point, but they will increasingly become customizable and eventually you will be able to personalize the art to the point of making it uniquely your own.
Last week I posted about a cool Photoshop Filter that creates Kirby Dots. After playing around with it for a while it inspired a new comic book themed T-shirt design for Otter Disaster Designs called the Power Cosmic:
One last design, adapted from a sketch by my Little Disaster is this Doodle Skull and Bones:
She drew it in pen on a scrap of paper a few weeks ago and I decided it would look great on a shirt. Basically I just scanned the drawing, added some color (her choices), dropped in the circular background, and it was done.
Atari offers several of it's classic arcade and Atari 2600 games for play in your browser. Choose from Asteroids, Crystal Castles, Battlezone, and even Yars' Revenge! There is also a new online version of one of my all time favorite games Missle Command:
It allows you to adjust several variables including Maximum and Minimum dot size, distribution, softness of edges, and foreground and background colors. NEAT!
Download the filter HERE!
Tutorial on installing and using the filter HERE.
I posted last week about British Metal fans trying to get 'Heavy Metal' recognized as a religion in the 2011 UK Census.
According to this article the UK census does not 'officially' recognize any religions and does not define what is or is not a religion, it only lists the percentages of respondents to a given religion, which is how Jedi Knight ended up 'recognized' in the 2001 Census.
The notion seems to be gaining steam though. There are almost 17,500 fans on the movement's Facebook page (as of this posting).
If any band embodies the notion of Heavy Metal as religion (or at least as lifestyle) it's the incomparable Manowar. Here's Battle Hymn, from their 1982 debut album Battle Hymns:
I'd be willing to bet no other band has done as many metal songs about 'metal' than Manowar: Metal Daze, Gloves of Metal, Kings of Metal, Brothers of Metal, The Gods Made Heavy Metal, Metal Warriors, Die for Metal, and any number of songs about swords and steel.
This blog post at the UK Guardian suggests some other musical forms that might also qualify.
Bitstrips presents a Theme of the Day. Yesterday's theme was Fandom, here is my entry:
These kinds of arguments are of course the bread and butter of pop-culture aficionados the world over.
They are being asked to officially register their faith as ''heavy metal'' while filling in the next Census questionnaire...Rock magazine Metal Hammer launched its campaign last week and has already attracted nearly 10,000 followers to a Facebook group...
It has even gained the backing of a metal figurehead, Saxon frontman Biff Byford, whom the magazine says will become the proposed faith's ''world metal peace ambassador'' if the campaign proves successful.
If you are unfamiliar with Saxon or Biff Byford here's the video for the 1981 New Wave of British Heavy Metal Anthem, Denim and Leather:
This movement is partly inspired by the recognition of Jedi as a religion by several English speaking nations in 2001.
Of course Metal has a long history of viewing itself in quasi-religious terms. A fine example is Judas Priest's 1984 album, Defenders of the Faith.
The album had this quote on the back cover:
"Rising from darkness where Hell hath no mercy and the screams for vengeance echo on forever. Only those who keep the faith shall escape the wrath of the Metallian... Master of all metal."
Sounds biblical, in a metal sort of way...
You also have the examples of bands with religous sounding names like Metal Church, Armored Saint, Iron Savior, and of course Black Sabbath. Sabbath is largely responsible for a lot of the religious imagery in metal. Ozzy Osbourne wore large crosses from the very earliest days of Black Sabbath.
There is also a metal obsession with angels, particularly fallen ones. You have bands like Death Angel and Angel Witch as well as albums like Angel of Retribution (Judas Priest), Angels Fall First (Nightwish) and Angel Down (Sebastian Bach). I'm sure there are literally hundreds of other examples of fallen angels in lyrics, song titles and artwork throughout the history of metal.
I'm sure the comics industry will have some sort of app/reader for comics available for the device when it finally ships (if they are smart).
One key here for me is pricing. If the price of the iSlate/iTablet/iDunno is reasonable out of the gate, or falls to a reasonable price in the next few years I'll consider getting one. I'll probably be in the market for a laptop in a few years anyway, and all the apps that will be available will just mean added value. If Marvel/DC (or any other publisher) wants to recapture lost readers (and entice newer ones) they will have to price their digital comics reasonably. They will have an opportunity here to win big, or shoot themselves in the foot.
The print version of Fantastic Four #575 will be in stores on the same day as Apple's announcement and is cover priced at $2.99, which is now pretty typical, with some titles hitting the $3.99 mark. I stopped when most titles hit $2.25-$2.50 an issue. I was reading anywhere from 10-15 titles a month at that point and spending about $35 a month on my comics habit. My choice was to cut back on titles, which I did for a while, or spend more money, which I couldn't afford to do. Ultimately I decided to pick up the odd trade paperback, OGN, or collection, and get a complete story for my comics dollar. This of course took me out of the shops regularly and my comics consumption has dropped accordingly due to the price of the books.
If an iTunes style, digital comics service could deliver a title for $.99 per issue (or less), I'd seriously consider reading them monthly again. At that price, I could afford 10 regular titles a month and the ability to sample newer releases or limited series without breaking the bank. Additionally if I find a series or story arc worth hanging on to, then I can always purchase a collected print version when it becomes available.
Another obvious key factor will be how these comics read on the device, and if the portability can help with the loss of that tactile experience of the printed page.
As a guy who digs t-shirts so much I started to design my own, I'm a big fan of the geeky shirts worn by Sheldon and Leonard on the CBS comedy 'The Big Bang Theory'. I'm not the only one. The folks over at Sheldonshirts.com have catalogued and located many of the shirts worn by the guys on the show. They've even determined which shirts are no longer available, and tracked down several of Howard's belt buckles. I myself have Leonard's Cassette tee! :
Well, the A-Team Trailer has been available here and there today:
If that one gets taken down, which seems likely, check out this fake trailer from 2007. I kind of like the idea of them keeping the team as Vietnam veterans, acting as aging Soldiers of Fortune. Morgan Freeman as B.A. seems oddly inspired:
As a high school headbanger I had no internet for keeping up with my favorite bands and the town I lived in was so small it didn't have MTV, so there were few ways to find out about new bands or even what was up with the bands I followed. I actually used to bring videotapes when I visited my sister Traci in college because she had MTV, and I'd record Headbanger's Ball to see videos of my favorite bands. I'd play those tapes over and over.
With no access to MTV, and living in a part of the country where the odds of hearing my kind of metal on the radio was impossible, I had two outlets remaining for learning more about 'my' bands. The first was the very reliable 'word of mouth'. If you had a buddy who liked a band you could always borrow the records and sample their music for yourself. If a group was good, you could then go out and buy the cassette or you could fire up the dual cassette deck and do a little peer to peer music sharing, analog style. The other information outlet I relied on lived on the racks of the local grocery and convenience stores, the heavy metal magazines. They had names like Rip, Circus, Creem, Metal Edge and my rag of choice, Hit Parader.
I never subscribed to any of these mags, but I would pick them up off the newsstand at the grocery store or Stop 'N' Shop (later C-Mart), if one of the bands I liked appeared on the cover. Hit Parader was always on the stands, where Rip and Circus were only occasionally available, and Metal Edge was expensive if I recall. I don't think I ever saw more than one or two issues of Creem in my life. So Hit Parader was usually it.
Hit Parader heavily focused on the 'hair bands' of the era, and I read the magazine in hair metal's heyday from about 1987-1991. I think they were legally obligated to put Brett Michaels (of Poison), Jon Bon Jovi, or Vince Neil (of Motley Crue) on the cover 9 months out of 12. When Iron Maiden or AC/DC made a cover you could bet I'd buy it. In fact I specifically remember having this issue featuring Angus Young of AC/DC on the cover:
I loved the magazine for being the only source of music news I could get my hands on. My sister Pam had a subscription to Rolling Stone, but it rarely featured metal even when metal was extemely popular, so it wasn't good for my needs. In a addition to news, Hit Parader had lots of filler in the form of pinups. My bedroom was plastered with pictures of AC/DC, Iron Maiden, Tesla, and of course the lovely ladies Doro Pesch, and Lita Ford.
The magazine was also well known for intellectual debates, like 'Who Rules Heavy Metal?':
These debates often played out in Hit Parader's letter page where a metalhead would write in and explain in very passionate terms why Dio 'rules', and Ozzy 'sucks'. The editor of said letters page would then usually make fun of the writer. Poison vs. Motley Crue and Metallica vs. Megadeth were also extremely popular in these diatribes, and seemed to account for about half the letters published in the magazine in any given month.
My other favorite thing about these metal mags were the ads for upcoming releases. I'd often see some horrific image coupled with a scary band name, and a release date. I bought at least a few albums based on these ads alone, music unheard. One album I specifically remember buying was 'Another Return to Church Hill' by Artch. I remember the ad being a black and white image of the albums cover, and I thought it looked totally cool, so when I saw the cassette shortly after seeing the ad I bought it immediately. It was a decent power metal record, and while I don't have it anymore I do have an MP3 of the title track.
I just learned today that Hit Parader ceased publication a little over a year ago, Circus and Rip are also gone, but Metal Edge still seems to be in publication. Maybe those high prices paid off after all.